Librarything Member Giveaway Review: Gaslight Grimoire

Author: K. C. Finn
Genre: Steampunk
Pagecount: 176
Warnings: Death, Enslavement, Violence, Racism, Sexism
Rating: 3/5

"Gaslight Grimoire" by K.C. Finn is a collection of short stories that effortlessly combine elements of steampunk and dark fantasy in a wide variety of settings and circumstances throughout the late 19th century. The premise of each story is unique while maintaining a misty, clanking atmosphere.

There are a total of twelve stories, and while I enjoyed all of them, there were two that stood out as my favorites, "Master Mind" and "Mira and the Maw". The thread that links them is what links almost all of these stories: a fantastic premise and a good atmosphere. "Master Mind" is centered around a historical machine called the Turk, with an ending that I refuse to ruin but fit perfectly. "Mira and the Maw" on the other hand centers around Mira, a 'steampunk zombie hunter' as referenced in the foreword, who is basically Girl Genius (and also an actual girl genius). It's one of the slower builds in the collection, which gives us time to look past the flashy aspects of the story and take in the characters, so when the tale concludes you're invested in Mira surviving and possibly outshining Buffy.

As far as a general opinion of the collection I'm of two minds. As I said, I think the strongest aspect of the anthology is it's atmosphere. All of the stories have a similar feel, which does a great job using the outlandish premises and varied locales of steampunk and combining them with the equally fantastic premises and bleak morality of dark fantasy. It can be a bit much for someone who doesn't like one of these genres a great deal, but if you're willing to go along on some truly weird adventures it's a wonderful read. Settle down on a rainy day and gobble these twisted fairy tails up!

However be warned, the characterization in these stories is definitely a weaker aspect. I liked a few characters, like Mira from "Mira and the Maw" and Galileo from "Galileo's Mistake", but during most stories I wasn't attached to anyone. That's hardly surprising, it's damned difficult to get invested in a character when you have maybe 10 pages with total. In any individual short story I don't mind that much either, as they don't last long. But for me it was a consistent problem, that when I peered behind the flashy scenes I found... one dimensional people.

Now for the a more general nit-pick: I try not to do this with every book because it's exhausting, but while I was reading I started noticing the cast list was a looking a bit sausage-y. How sausage-y you ask? By my count 23% of the narrators and 25% of the speaking characters are women, which can't be good for a species that pair-bonds. In addition about 10% of the speaking characters are POC, which would be reasonable for the UK in 1900, but not for 2016. I don't mean to notice it, but once I know a book's cast skews that white and dudely for no reason it takes away from my enjoyment of a book a bit. I start wondering what happened to Victorian steampunk world that they have such a shortage of women. How will the human race repopulate? Why is no one talking about the obvious racial apocalypse? And if this was just oversight on the author's part, why are fairies and steam-powered hearts okay but altering the racial and gender politics of the 1900's isn't?

Pop Review: The Birth of Venus

Author: Sarah Dunant
Genre: Historical Fiction
Warnings: Rape, Misogyny, Death, Asshole Priests
Pages: 416
Rating: 3/5

"The Birth of Venus" by Sarah Dunant is the coming of age story of Alessandra Cecchi, a young woman in 15th century Florence. Like many mainstream stories about young adults, this book is not for teenagers, or even written by teenagers. Do not ask me why, apparently everyone wants to keep reliving the same four hormone-ridden years in high school. Sadly for us Florentine isn't so hot on women having lives outside of gratefully raising children, so some parts of Alessandra's story are remarkably predictable: she doesn't know anything about sex expect for those tinglings in her britches until marriage, where regardless of her personal feelings or ambitions she settles down to have a kid. No matter how overdone I think coming of age stories are, this one has a few surprises up it's sleeve. For starters, her city is in turmoil and there is a rather scary priest rising to power during all of this.

For one, Durant's characterization was great. All of the characters were as fleshed out as their role required and their interactions were believable, especially the awkward teenage groping! I have my doubts that the idioms and slang are historically accurate, but luckily that's not what I was reading this book for. My absolute favorite character was Alessandra's husband. Since there is a theme of woman's lib running throughout this book, it would have been easy to make him a villain, nor was he some fumbling buffoon. Instead Durant creates a man who is poised, intelligent man who was also suffering under the pressures of Florentine society, with a very human set of blind spots. In my mind he remains the best example of Durant's ability to create complex and empathetic characters in this book.

I typically enjoy historical fiction but this particular period didn't come across as very interesting to me. I'm not sure if it's because I have about as much fascination for paintings as a cat does (which is to say, only if there's a bug on one) or if Durant presented the least appealing bits to me. I feel this way because the location and time period had very little affect on the story itself. Sure, sure she got married when she didn't want to. There are certainly no where else during that era and no other time period in history when women got married because it was expected instead of out of love. Her city fell at least partially under the sway of a radical man. The only obvious way in which this affected Alessandra's life was one or two scenes where she didn't go to church and where she got hassled for walking outside after dark. Hell, Florence getting invaded by an army had only one affect on the story that I could see: Alessandra's wedding date got moved up. This may have been a historical fiction, but the history functioned primarily as a background for the plot. This is not an inherently bad thing, but I do feel it's worth pointing out. It's also totally why I am not mentioning anything about painters.

My main complaint about the plot is that there was not nearly as much action as I was expecting. I respect a good story that doesn't have sweeping story arcs that encompass epic events, but only when I'm not promised them. Even the really dramatic twists were rather underplayed, and everything had a haze of normality to it. This could just be me, but I swear the prequel suggested the book contained a lot more sex (or at least sexual tension) which it failed to deliver on. I kept reading until the last chapter waiting for something more impressive than a few mildly vanilla sexual encounters and perhaps the least awesome explication for her tattoo. Seriously, I can not even imagine a less cool way for Alessandra to have gotten that tattoo.

There is a very reasonable argument to be made that stories full of real, not dramatic people trying to successfully navigate the challenges of their daily lives wouldn't come of as dramatic, to which I say: "Pah." I am reading a book about a teenager. I remember being a teenager, and let me tell you, every day was the Thor-damned end of the world. On the other hand, gentle reader, you may not feel the same. I suppose my final assessment would be: I've had better. If you really enjoy the romances of teenage girls (really?) or 15th century Florence, have I got a book for you. If you have a quiet afternoon or two and nothing to do, go for it. Otherwise find a different book. There are plenty other fish in the sea! 

Review: Naamah's Curse

Author: Jacqueline Carey
Genre: Alternate History Fiction
Pages: 537
Warnings: Sexual Harassment, Consensual sex between adults
Series: 7/8(?) in Kushiel's Legacy
Rating: 3.5/5

Jacqueline Carey's "Naamah's Curse" is a reminder that the first requirement of a good book is to be entertaining. It took me over a week to read "The Sword of Shannara", and I had almost nothing else to distract me. In contrast I breezed through "Naamah's Curse" in a day and a half. I won't say I couldn't put it down, but I didn't have to: this book is very easy reading. It picks up immediately after "Naamah's Kiss" with Moirin traveling through psuedo-China (Ch'in) as she chases after Bao.

If you've read the previous book this should come as no surprise, but Moirin is very sexual. She sleeps with almost every major character in the book. It would differentiate this from harlequin romance novels though, as the descriptions of sex aren't terribly explicit, where explicit includes more than flowery euphemisms for vulvae and penises. However if you're uncomfortable with causal sex between members of any gender, avoid this book. You will not enjoy the opinions expressed in this book regarding sexual relations. Luckily for me  I really appreciate her attitude towards sex, although I was not interested in "Kushiel's Dart".

Something that did leave me concerned was the portrayals of the psuedo -Chinese (Ch'in), -Mongolian (Tartar) and -Bhutanese (Bhodistanese). Warning bells start ringing in my head when a book is written in English about non-English-speaking cultures, even if they're dressed up with different names. Typically such portrayals are stilted, with characters that are presented as over-played caricatures (like Mr. Miyagi from the movie "The Karate Kid", which always makes me cringe). As part of the intended audience instead of the intended subject matter I'm not in a great position to judge how stereotyped the non-native characters are, but I'd welcome critical analysis of it.

The only borrowed culture I do know for sure was one-sided was that of the Russian (Vralians) Christians. I know Carey made a point of stating that the Vralians in the novel were from an intolerant sect of Eastern European Christians, but they were all uniformly incapable of having healthy sex lives. While I have personal qualms about the more extreme sects of Christianity's opinions about sex, I seriously doubt that even the most uptight families are as repressed as Aleski's, and they were the only Vralian family mentioned. More importantly, being prudish isn't the same thing as being hateful. In all of the other civilizations Moirin meets a wide swath of people, while in Vralia she only meets sexually repressed, unhealthy people.

If you'd like an easy to read story, with some mildly interesting characters and a plot, I would encourage you to read this book if it's readily available. I will probably read the conclusion to this trilogy, but I am unlikely to go back and read any of the previous books in the series. However if you're likely to have any disagreements with the philosophy espoused within (that sex is awesome, and can be shared between any two people who are attracted and care about each other) ... I'm sorry. Also you shouldn't read this book.

Questions and Comments Welcome~