Librarything Member Giveaway: Chaos Season

Author: Sandra Ulbrich Almazan
Genre: Fantasy, YA
Pagecount: 232
Warning: Parental Abuse, Transphobia, Homophobia, Bad Flirting
Rating: 2/5

This is a continuation of the story featuring the newest incarnation of the avatars of the seasonal gods and their never-ending quest to counter the devastating Chaos Seasons and protect the land of Challen. I hadn't read the previous books in the series but this one picks up after the next avatars had struggled to find each other and were now finally able to get down to the momentous task of taking over as Season Avatars from their predecessors, this time with a time traveler who remembers the villain who created the Chaos Season from personal experience.

I want to say I thought this was an okay book story-wise, but I would not recommend it. My opinion isn't because of the premise, which as listed above is appropriately epic. It's not so much because of the characterization of the four main characters and their interactions, which was reasonably good, especially considering I had missed at least one book of backstory. It wasn't even because of the main character, who I could not find a way to like. I will admit to finding the iterations between men and women incredibly hard to follow, but that is unrelated to the majority of my rant.

Reading this book was like pulling fucking teeth for me because of the gender and sex politics implicit throughout it. The book was set in a Victorian Era analog with magic, but the politics were kind of a mash-up of then and some of the crappiest stuff from modern times. I could not handle
that there was very little evidence of overt discrimination, but all of the society was still clearly structured in an extremely sexist, homophobic way. More than that, the existence of trans people was just disappeared. It felt like the worst example of political correctness, like if maybe we didn't talk about bad things happening they don't count.

Rant to follow below the break.

Librarything Member Giveaway: A Natural History of Hell

Author: Jeffrey Ford
Genre: Horror, Supernatural
Pagecount: 281 (ebook)
Warnings: Death, Murder, Violence, Rape, Dismemberment, Domestic Violence, Dolls, Spooky shit, Kitchen Sink
Rating: 4/5

"A Natural History of Hell" is a collection of short stories that span a remarkable range in location, time period, genre and atmosphere. They all have a supernatural theme, but I was genuinely impressed and how wide and varied the flavor of stories spanned. The only consistency is the austere language. The prose was clearly written and easy to read, even when the events of a particular story were on the edge of what I could handle. This kept what could have been wildly divergent moods from giving me emotional whiplash (in other words, I liked it).

This lovely collection of stories are clearly the culmination of many skillful experiments into a multitude of literary traditions that were pleasurable to read with nary a dull moment.

Since I have very little that can be said about the entire collection together aside from how widespread it is, the meat of this review are short opinions on the individual tales.

The Blameless: A surprisingly sweet story of a married couple attending a coming of age ceremony for their neighbor's daughter, specifically her exorcism. An okay short, but interesting to me largely as an example of gendered emotional labor.

Word Doll: Creepy in the way only dolls can be, made of words or otherwise. Reminded me of the midwestern folk horror that the TV show Supernatural does so well. Perhaps my favorite story of the collection.

The Angel Seems: Some truly weird supernatural events, kidnappings, extremely creative deaths and a plethora of (presumed) good old fashioned rape. I have very mixed feelings about this story, because so many ladies get raped that it becomes mundane (that's gross as fuck), but the ending is by far the best ending any story can have. Mixed!

Mount Cherry Galore: This is a coming of age story with some more magical elements included than usual. I admit this one was nice but didn't stand out for me.

A Natural History of Autumn: A young yakuza meets a hostess and has a very trying adventure in the mountains. It was a nice surprise to see a local folk horror story from a completely different tradition. I think my only point of comparison for this was Kwaidan so I can't tell you how faithful it was to Japanese horror, but I definitely had fun reading it.

Blood Drive: By far the scariest story for me, since this year it hits a little too close to home. Think of this as the Handmaiden's Tale but for the NRA instead of evangelical christians.

A Terror: In April of 1862 Emily Dickinson wrote a letter to a friend in which she said "I had a terror since September...". Ford imagines what she experienced. I liked this story because it diverged in tone from the other stories; in deference to Dickinson it was more fantastical and lyrical, which was delightful.

Rocket Ship to Hell: One author relates the strange tale of his trip into space to two of his fellows in a dimly lit bar. This one is a call-back to golden age sci-fi, with all of it's bad science, shady old men and sexism. Hard pass for me.

A Fairy Enterprise: A Victorian entrepreneur hits on a new business venture, and it doesn't go at all to plan. This was a nice palette cleanser for me, a pleasing mix of English fairy tales and Charles Dickens.

The Last Triangle: A down on his luck drifter is welcomed into the life of an older woman with some very dangerous secrets. Another nice story, a little like the John Constantine comics in that all of the characters are both flawed and magical.

Spirits of Salt: A Tale of the Coral Heart: The tale of a man with a legendary sword and the badass women in his life. I wish I knew what literary tradition this story was from. I'm leaning towards far east, maybe India, but I couldn't say for sure. I liked the way the story was told, and the main characters were all super cool. I would love to read more like it!

The Thyme Fiend: After a young man discovers a body in a well, he can't stop seeing the ghost of Jimmy Tooth unless he drinks thyme tea. There were some very dreamlike aspects to this story and I couldn't help falling into them. I found it deeply engaging, would recommend.

The Prelate's Commission: A talented young artist is commissioned by the local prelate to paint a true picture of the devil. While I usually delight in religious iconography, this was one missed the mark. I got the impression it could have been fleshed out into a full length novel, since this version was a bit rushed.

Librarything Member Giveaway: Eye of the North Wind

Author: B. Y. Yan
Genre: (High) Fantasy
Pagecount: 391
Warnings: Quality Snark, Mutilation, Death
Rating: 3.5/5

"Eye of the North Wind" is the story of several entertaining characters living in the land of Immortal Linberry. You start off following Sir Boors, the steward of the kingdom, who seems to stumble from one scheme to the next while always just barely keeping his head above water. However the bulk of the action takes place while you follow Sangor, a canny sword-for-hire  past his prime who is making his last attempt to enter the elite Yulin Hundred by going on a quest of great import.

Perhaps the most important thing to remember about this novel is that it's broken into two pieces stylistically. The first portion, in which Sir Boors is the primary character, is about the surprisingly competent administrator, despite him being outwitted by several other characters. He is a charming combination of weaknesses to bribes, pomp and an unapologetic acceptance of his limitations. I didn't laugh out loud while reading this portion of the book, but I alternated between a grin and a smirk almost the entire time, a little like "A Confederacy of Dunces".

The second portion followed Sangor, wherein we made the transition from moderately sardonic social commentary on bureaucracy to a fairly standard medieval romance. Which means, of course, that there is a Quest, a Fair Maid and no small amount of Villainy to Defeat. This section I also enjoyed as its own story, because does a good job hitting the traditional elements for medieval romance classics. Again I found myself amused by the schemes of the nominal hero of our story, and how well Sangor managed to keep said hero from getting his butt kicked.

My gripe with this book is not when but how the transition between styles happens. I was settling down to a pleasing book within the city of Immortal Linberry when suddenly I found the novel following a different character introduced in passing while Sir Boors was in charge. It wasn't jarring so much as I was sent a little adrift while the switch happened, which took some time to recover from. In addition some of the characters that wind up being very important are thrown in at the end when they could have been introduced more fully into the Boors-led introductory portion.

Overall I liked this story, but I'm sure it's for everyone. I loved that Yan skillfully tells a story and lets his readers in on the joke; that is, the absurdity of medieval romances. He clearly loves these types of stories but also knows how silly they look from the outside. However not everyone likes this deliciously tongue-in-cheek tone, and the less skillful combination of genres will frustrate some readers.

Librarything Member Giveaway Review: Singer

Author: Brigid Collins
Genre: Fantasy/Sci-fi/YA
Pagecount: 204
Warnings: Death
Rating: 4/5

I'm so pleased with how this story came together, especially the last third of the book!

"Singer" by Brigid Collins starts out as the adventure of the eponymous character, a woman who would be mute if she couldn't sing the most beautiful wordless melodies. Singer teams up with a ragtag group of adventurers on their way to plunder the mysterious depths of the bluntly named "Nameless City", to which she is inexplicably drawn. As they travel through a place so old that everyone who has ever lived there is dead with their bones turned to dust, it becomes clear it's every bit as dangerous as predicted. And the storytelling and imagery remains excellent right up to the finale.

Admittedly the action starts slowly, and during the first few chapters I didn't quite know why I kept reading. However it was easy prose, well worth continuing, as my empathy towards the characters grew organically as a result of the pacing. By the time the threats start showing up deep inside the Nameless City you're invested in everybody, so I would say the pacing works out well enough. Besides which I want to give credit where credit is due and recognize that the monsters were fuck-off scary and I feared for character's lives, so good job there. I'm hesitant to spoil anything, so it the most vague terms I'll say my personal experience as a computer programmer was irked by a plot point. It was bad, but it wasn't "Hackers" bad.

Ah, seriously. All you really need to know is that Collins spun a good tale. You know how sometimes, after reading a book, you just sit back with a sigh of contentment and think "that went exactly how it should have gone"? Fairy tales in particular often end with the reader content that all the foreshadowed events happened and all the seemingly disparate threads have been tied together? That's how this book left me, and I loved it.

Actually I was a little panicked as I neared the end; I firmly believe Singer's world should be way better explored, but I hear there is a sequel, so that solves that!

Review: Threats of Sky and Sea

Author: Jennifer Ellison
Genre: YA
Pages: 263
Warnings: Death, sparkles, tropes
Rating: 3.5/5

"Threats of Sky and Sea" by Jennifer Ellision is about Breena Rose, a secretly talented, feisty and gorgeous young woman on the cusp of adulthood who is being seriously underutilized as a barmaid. She has a run-in with some unsavory folks and discovers her daddy has been hiding her away from the world these last 16 years, and now she is to return to court and learn how to be a lady, kick ass at magic, meet a handsome prince all while trying to free her father. I gotta say, the lady keeps busy!

So before I say anything else, I have to state that I had fun reading this book. It was cute like a little puppy. I am going to see about getting the second one on my own steam.

As I have seen it mentioned, this book hits several YA adult tropes. That's accurate, it's plot points in bullet form read like a lot of other YA fiction. However these are feel-good story elements that are repeated so often because people like them. For example, the young woman in peril who takes charge of her own destiny is a trope I can get behind, no questions asked. Puberty being a time when magic blossoms and destinies are discovered sounds way cooler than the average high school experience. What's more notable to me are the tropes not taken. Ellison slips right around creating a love triangle, which makes me so happy words can not express. She also puts together her own magic system, to which I have a major weakness. Plus she doesn't shy away from killing off a character or two, which is a requirement for me to respect a book.

She also maintains an air of suspense around some of the major plot points. There's a lot left unexplained about the world, the magic system, and (to a lesser extent) Breena's past. It's likely this is a result of this being part of a several book long series, but regardless of the reason it's important to leave readers wanting more in any story. Ellison delivers in this respect. I don't just want to know what happens next, I'm curious about Neridium and the factors that determine one's magical element (crossing my fingers it's like how amphibians determine sex).

I do have a few less than complimentary points I want to raise though. Ellison spends more time explaining things that should be left to the reader to figure out. My impression is that the inexperience of the main character, Breena, is a convenient mechanism to enable explanations about the setting to the readers. It means we get paragraphs describing things like how the magic system works in the abstract in Breena's internal narration, as well as how Breena feels about it. To a lesser degree it means she acts as a stand-in for the audience to express confusion as to why things are the way they are. It makes everything feel a little flatter than it could. I would have liked to see more effort made to teach readers about a world the same way they learned about this one: through context and a certain amount of sassing one's elders. I chalk that one up to Ellison's inexperience as a professional writer, which means I look forward to seeing how her writing will mature.

Like a said, cute like a puppy. It's a nice story with accessible prose and I'm interested in seeing how everything develops.

LibraryThing Member Giveaway Review: White Hart

Author: Sarah Dalton
Genre: Fantasy
Pages: 220
Warnings: Violence/Character Death
Rating: 3/5

"White Hart" is the story of Mae Waylander, a mysterious young woman with the power to control nature and her faithful companion Anta. However her powers are in high demand, and when a local girl Ellen is kidnapped after pretending to wield Mae's powers, she reluctantly accepts the help of  Prince Casimir and they follow her into the Waerg Woods. Along the way they discover the woods just as dangerous as they've been warned, and there are more secrets hidden behind the trees than they could have suspected.

This is a good story with several emotionally complex, interesting characters. Mae, Casimir and Sasha are all a good blend of strong and able to depend on other people. All three of them are capable of some very badass action, but they also all have some internal struggles that makes it hard for them to respond to all threats. I appreciate the sense of realism that lends to the story, especially since despite everything else, they are all pretty young. In addition, there's a small amount of romance in the story, but it takes a major backseat to the action, which I was fine with.

In general I thought this was a solid YA fiction story. They plotline slows down a little in the middle of the story, but picks up again after Mae does some soul-searching. Most of the individual action scenes were well-written, and they carried the story well. It was a nice, easy read, but it kept me interested. However I don't think it would appeal much to someone who doesn't already enjoy YA fiction and magic.

What was especially interesting to me from a gender representation perspective is that even though women were overrepresented in the main characters (2:1), the overall gender breakdown was still slightly more in favor of dudes (11:15). There weren't a lot of characters in this story because most of the book is set in the middle of a forest. Therefore the disparity could be a coincidence, but I'm not entirely convinced. Maybe if I find a considerable amount of books that go the other way?

On another note, several of the characters were significant to the plot but weren't given names, so I kept track of all characters, regardless of how well they were named. I also kept track of any character that had a name even if they didn't appear in the story, like Mae's mother, who while dead during the book played a significant role in the main character's upbringing. Either way the ratio was quite similar, so I'm going to try and follow my previous standard, characters that are named (even if not with exact names, anything more complicated than "the woman"), alive or dead.

Graphs, motherfucker. Do you read them?

Review: Ember and Ash

Author: Pamela Freeman
Genre: YA Fantasy
Pages: 498
Warnings: N/A
Rating: 2/5

I don't have a strong endorsement of this book. There were some wonderfully entertaining qualities to her prose, particularly the well-developed setting, probably because this book is a one-off of her Castings trilogy. However the characters were a real weak point for me. I had trouble distinguishing their personalities, and I didn't care too much for any of them aside from Martine (Ember's mother).

Freeman's setting is top-notch. The environment created by the local gods who oversee matters local matters like death with the Powers who function as the Elements at their most animated was lovely. I appreciate the depth that went into them, as well as the myriad of people who communicate, worship and work for them. I got the feeling Freeman created a complete world and only showed us the bits we needed to see, which I love.

However, there were some really annoying aspects of this book that I want to caution readers about. There is a host of side-characters, and it's really obvious they have a sub-plot created especially for them with no real value to the Ember/Ash storyline. The sense of urgency created by the sub-plot involving Arvid (Ember's father) was just unnecessary. I was also irritated by the scene where Ember, Ash, Holly and several unnamed guards left the Last Domain's capital. It seemed sloppy to me that anyone reading that scene knew the "unnamed" guards were going to die, and soon, to emphasize how dangerous it was. I completely respect an author who's willing to kill off characters, but this was so obvious a plot point I couldn't take it seriously. Mean as this sounds, if Freeman can't bother to introduce the readers to a set of guards, why are we supposed to care if they're hurt? Altogether, I didn't see the same attention to detail in the smaller plot points of "Ember and Ash" that I so enjoyed in the setting.

I have to reiterate that the characterization in this book wasn't top notch. I expect a lot from my fantasy books, and interesting, believable characters are a big part of that. While some of the characters in "Ember and Ash" were likable enough, but I couldn't tell their internal monologues apart. On a much more personalized note, I thought the separation of Ember and Ash was ill conceived and story ended just when things were getting sexy.

I thought this was a reasonable bit of fluff-fiction, and I'm interested to see what else Pamela Freeman writes in the future. It was a fun read while it lasted, so if you've got the time and you like elementals, I would suggest this book.

Things I'm curious about: Did anyone else hate Arvid? Is there any saucy Ember/Ash fanfiction, hidden away in a dark and dusty corner of the internet? Can anyone explain what was up with Ice? I know the assumption that elements are mercurial was worked into the plot early, but still.

Review: Naamah's Curse

Author: Jacqueline Carey
Genre: Alternate History Fiction
Pages: 537
Warnings: Sexual Harassment, Consensual sex between adults
Series: 7/8(?) in Kushiel's Legacy
Rating: 3.5/5

Jacqueline Carey's "Naamah's Curse" is a reminder that the first requirement of a good book is to be entertaining. It took me over a week to read "The Sword of Shannara", and I had almost nothing else to distract me. In contrast I breezed through "Naamah's Curse" in a day and a half. I won't say I couldn't put it down, but I didn't have to: this book is very easy reading. It picks up immediately after "Naamah's Kiss" with Moirin traveling through psuedo-China (Ch'in) as she chases after Bao.

If you've read the previous book this should come as no surprise, but Moirin is very sexual. She sleeps with almost every major character in the book. It would differentiate this from harlequin romance novels though, as the descriptions of sex aren't terribly explicit, where explicit includes more than flowery euphemisms for vulvae and penises. However if you're uncomfortable with causal sex between members of any gender, avoid this book. You will not enjoy the opinions expressed in this book regarding sexual relations. Luckily for me  I really appreciate her attitude towards sex, although I was not interested in "Kushiel's Dart".

Something that did leave me concerned was the portrayals of the psuedo -Chinese (Ch'in), -Mongolian (Tartar) and -Bhutanese (Bhodistanese). Warning bells start ringing in my head when a book is written in English about non-English-speaking cultures, even if they're dressed up with different names. Typically such portrayals are stilted, with characters that are presented as over-played caricatures (like Mr. Miyagi from the movie "The Karate Kid", which always makes me cringe). As part of the intended audience instead of the intended subject matter I'm not in a great position to judge how stereotyped the non-native characters are, but I'd welcome critical analysis of it.

The only borrowed culture I do know for sure was one-sided was that of the Russian (Vralians) Christians. I know Carey made a point of stating that the Vralians in the novel were from an intolerant sect of Eastern European Christians, but they were all uniformly incapable of having healthy sex lives. While I have personal qualms about the more extreme sects of Christianity's opinions about sex, I seriously doubt that even the most uptight families are as repressed as Aleski's, and they were the only Vralian family mentioned. More importantly, being prudish isn't the same thing as being hateful. In all of the other civilizations Moirin meets a wide swath of people, while in Vralia she only meets sexually repressed, unhealthy people.

If you'd like an easy to read story, with some mildly interesting characters and a plot, I would encourage you to read this book if it's readily available. I will probably read the conclusion to this trilogy, but I am unlikely to go back and read any of the previous books in the series. However if you're likely to have any disagreements with the philosophy espoused within (that sex is awesome, and can be shared between any two people who are attracted and care about each other) ... I'm sorry. Also you shouldn't read this book.

Questions and Comments Welcome~

Review: The Sword of Shannara

Author: Terry Brooks
Genre: Fiction/Fantasy
Pages: 726
Warnings: Death, some imagery of violence death, Tolkien-clone
Rating: 2.5/5

One of my friends suggested I look into Terry Brook's Shannara book series, but it took me no small amount of time to decide which book to start with. After a bit of research I gave up trying to be systematic and settled on "The Sword of Shannara". It's the first book in the series Terry Brooks wrote, although it takes place towards the end of the universe's chronology.

I swear, "The Sword of Shannara" is a clone of Tolkien's style, archetypes and plot. This goes beyond the basic similarities most high fantasy books share. Some of the similarities were positive, but Brooks also copied some of my least favorite aspects of the "Lord of the Rings" trilogy. The wholesale borrowing of major plot points is the most obvious.

The plot is as follows: A mysterious wizard druid arrives in the peaceful Shire Shady Vale and informs Frodo Shea that only he is qualified to destroy wield the legendary One Ring Sword of Shannara so it can't be used by the evil Sauron can be used to kill the Warlock Lord. He and a few close companions travel to an official meeting in Rivendell Culhaven, the home of the elves dwarves. Along the way they are harrowed by Ring Wraiths Skull Bearers. There the main characters band with a group of humans, elves and dwarves to quest for the ring sword. During their travels they shortcut through the cursed mines of Moria Hall of Kings. After a certain amount of running around which I can't be bothered to remember, the party gets split into at least two groups culmination of the story. The majority of the humans, elves and dwarves converge on the kingdom of Rohan Callahorn, where they must free the king from the evil influence of Wormtongue Stenmin. Then his people retreat to Helm's Deep Tyrsis, a highly fortified keep where they attempt to hold back the forces of evil. After a long and painful siege, the elven army comes to their rescue, and the army of Mordor the Skull Kingdom is defeated. At the same time the main character and his stalwart sidekick Samwise Panamon Creel travel to the heart of enemy territory with their guide Gollum Keltset to destroy the ring use the sword.  After a certain amount of soul-searching, their mission is accomplished, and everyone who's still alive goes home!

To be fair, I did simplify some points to emphasize their similarity and skipped over some of the more boring fight scenes in LotR. However with only mild embellishment most of the major plot points of "The Sword of Shannara" are a name-change away from those in "The Lord of the Rings". On the plus side, that meant the plot was solid, and could be described using words like "epic" and "legendary". On the down side, I've already read LotR. For anyone else who also just happens to have read Tolkien's trilogy, there will be zero sense of suspense generated by Brook's book. For instance, when the heroes traveled into the Hall of Kings, I already knew there was a terrifying monster lurking at the end. The surprise? It was a water-monster instead of a fire-monster! There is very little different material, so I'll try to avoid revealing any more of it.

I can't fault Brooks for using the same species list as Tolkien, since almost every high fantasy writer draws from said list. I believe there are good fantasy books that feature species aside from Elves, Dwarves, Trolls and Gnomes out there. I do! Brandon Sanderson, back me up here.

Another characteristic of Tolkien's that I would have preferred Brooks left alone was his overly wordy prose. It took me almost a year to finish "The Two Towers", because I just lost the motivation to read it three times and didn't come back to it for months. Brook's first book is a little better, but I found myself skipping over huge chunks of descriptive paragraphs to get to dialogue. My interest in hearing more about some of the characters who diverge from Tolkien's template warred with my disinterest in his prose. The result was that I finished this book, but I didn't like it all that much. I don't want to read any more novels written by Brooks unless I can get some assurance he stopped trying to be Tolkien.

Some of the areas I thought Brooks shined as an author was when he left Tolkien alone. I enjoyed all of the new characters Brooks created, like Panamon Creel, and Menion Leah. I thought they were most interesting personalities because they didn't have analogues to Tolkien's characters and because Brooks spent more time fleshing them out. I also liked that "The Sword of Shannara" is set on a post-nuclear-apocalypse Earth, which was a relatively new story idea in 1967.

If you liked Tolkien, you'll like Terry Brooks. You'll definitively like "The Sword of Shannara" for all the same reasons "The Lord of the Rings" tickled your fancy. Enjoy rich fantasy worlds, with an author who dreamed up a timeline lasting thousands of years before or after the book you're reading? Like the reassuringly familiar structure of high fantasy, the straightforwardness of Good versus Evil in Black Cloaks? Have a crush on elves? Good, you should read this when you have some free time. If you've already read LotR and you don't want to read it again, stay away from this. Go read some science fiction, for goodness sake.

Questions, Comments and Kvetching Welcome~

Review: Fool's Errand

Author: Robin Hobb
Genre: High Fantasy
Pages: 662
Warnings: Acts of torture are mentioned
Rating: 3/5
Series: 1/3 of The Tawny Man

Before I comment on the quality of "Fool's Errand", there is a rant that I have to get out about series in general. For reasons I cannot fathom, every time a new book in a series comes out, the first quarter of it is devoted to recap. Who is this recap for? Not the loyal fans, who if they have free time have already re-read the entire series so the knowledge is fresh in their minds, and if they don't will remember it as they go. I can almost, almost imagine the author is recapping for the first-time reader of the series, but so often I get to hear about crap that doesn't matter to someone who just picked up the book. It's such a waste! It makes me a little crazy, because it's such a common narrative choice.

"Fool's Errand" is more guilty of this than most book's I've read, but in Robin Hobb's defense there is significant action which takes place well before the book starts. This book is actually the seventh book in this universe, following two other trilogies. While it does help the reader to know who is friends with who, and why their bond is so close, I could have lived with a book that felt like it was jumping into the middle of a story. There's nothing wrong with a detailed history that the reader doesn't know about. It creates a sense of mystery, which is something high fantasy books don't have a lot of.

I should warn you that I haven't read the Farseer Trilogy or the Liveship Trader's Trilogy, so the first 200 pages or so of this book were a complete surprise for me. I think those pages would have dragged much, much more if I had known any of the things that were being recapped. I don't know a lot of the details even now, and that's okay for me. It's a better motivation to go back and read the first six books. I would strongly suggest you try reading from the end at least once.

Anyway, on to the actual novel. "Fool's Errand" is the (continuing) saga of FitzChivalry Farseer. From what I estimate, the book picks up 15 years after the previous trilogy. Fitz has been living a simple life raising Mishap, his adopted son. Nigheyes, his awesome wolf companion, has grown old and Mishap is ready to make his own way in the world. While Fitz is slowly coming to the realization that his life must change, Dutiful, his royal son, vanishes. It takes a lot of convincing from all of his old friends (and lots of oh-so-subtle references to the previous two series) to get Fitz moving. Eventually he rescues his son and saves the day, but I figure you should read the book to find out how.

I feel like the action in this book isn't very smooth, but it works out well enough. The first third of the book involves lots of talking and place-setting, which makes the character's interplay during times of high stress much more believable. The other two thirds of the book are lots of travelling interspersed with some fight scenes. It played out nicely, because constant action or constant talking gets boring.

As usual the most fascinating part of this book for me was the characterization. Fitz, the main character, is difficult to like and to get along with, but since the story is first person, it's hard to tell that he's scary. There's a disconnect between how Fitz sees most of his actions (and therefore how the reader views them) and how others interpret his behavior, and Robin Hobb does an excellent job of highlighting this. At one point his companion runs away from him in the middle of the night. In addition, Fitz's has many secrets, and no single character knows all of them. It's wonderful to see an author that can write such a complicated set of characters well.

Nighteyes and Fitz's friendship was lovely for me. As far as magic systems go, the Wit is one of my favorites. In terms of story-telling, the lack of barriers between Nighteyes and Fitz is a counter-point to the levels of secrets between Fitz and everyone else. As odd as it is to see characters keep things from each other for longer than a book, it's odder to see two characters who are essentially soul-mates.

So, typical fantasy fare. I think the main attraction to me was that I started at the end, and don't know how Fitz got his scars, or became friends with Fool among other things. Unlike most fantasy stories, characters were able to keep really valuable information from each other, and I spent part of the book holding my breath, waiting for someone to slip up. Otherwise, the characters carried an acceptable but hardly original story.