Showing posts with label science fiction. Show all posts
Showing posts with label science fiction. Show all posts

Sunday, May 8, 2016

Librarything Member Giveaway Review: Singer

Author: Brigid Collins
Genre: Fantasy/Sci-fi/YA
Pagecount: 204
Warnings: Death
Rating: 4/5

I'm so pleased with how this story came together, especially the last third of the book!

"Singer" by Brigid Collins starts out as the adventure of the eponymous character, a woman who would be mute if she couldn't sing the most beautiful wordless melodies. Singer teams up with a ragtag group of adventurers on their way to plunder the mysterious depths of the bluntly named "Nameless City", to which she is inexplicably drawn. As they travel through a place so old that everyone who has ever lived there is dead with their bones turned to dust, it becomes clear it's every bit as dangerous as predicted. And the storytelling and imagery remains excellent right up to the finale.

Admittedly the action starts slowly, and during the first few chapters I didn't quite know why I kept reading. However it was easy prose, well worth continuing, as my empathy towards the characters grew organically as a result of the pacing. By the time the threats start showing up deep inside the Nameless City you're invested in everybody, so I would say the pacing works out well enough. Besides which I want to give credit where credit is due and recognize that the monsters were fuck-off scary and I feared for character's lives, so good job there. I'm hesitant to spoil anything, so it the most vague terms I'll say my personal experience as a computer programmer was irked by a plot point. It was bad, but it wasn't "Hackers" bad.

Ah, seriously. All you really need to know is that Collins spun a good tale. You know how sometimes, after reading a book, you just sit back with a sigh of contentment and think "that went exactly how it should have gone"? Fairy tales in particular often end with the reader content that all the foreshadowed events happened and all the seemingly disparate threads have been tied together? That's how this book left me, and I loved it.

Actually I was a little panicked as I neared the end; I firmly believe Singer's world should be way better explored, but I hear there is a sequel, so that solves that!

Tuesday, March 25, 2014

Member Giveaway Reivew: The Terran Gambit

Image taken from www.goodreads.com

Author: Endi Webb
Genre: Science Fiction
Pages: 235
Warnings: Character Death
Rating: 2.5/5

Endi Webb’s “The Terran Gambit” follows the All-American space jock Jacob “Shotgun” Mercer as he fights for the Rebellion to free Earth from the imposing clutches of the Corsican Empire. There are several battles between the primarily Terran rebellion forces and the empire in space, and the scope ranges from ground combat between marines, gunfights between two-man fighters and crushing conflict between gigantic warships. The story shifts between several points of view, primarily the hero Mercer, his friends Megan “Grizzly” Po and Ben “Manuel” Jemez, as well as Captain Titus, following the terrifying antagonist Admiral Trajan.

I’m of two minds about this book. I found the overarching plot to be entertaining, but while I loved following the villain I struggled to care about the protagonists. In the beginning of the book an earth-let rebellion is crushed when their major spaceport is leveled by a nuclear warhead. I enjoyed reading about the tactics used by rebel and imperial forces to position themselves for a final conflict. I also thought the pace of the action was excellent, as the plot starts on a high-intensity moment, dips during the bombing then steadily builds to an action-packed climax. I liked that the book incorporated a lot of cutting-edge theoretical physics (which admittedly went way over head) and showcases them very effectively during the space combat.

As a result of the gradual ramp in energy there was a lot of time to get familiar with the characters. I think Webb chose to be expedient by having his characters tell the reader their backstories in big chunks, but it sacrificed a lot of realism. For example, there is a paragraph where Jemez is walking down a corridor, and starts summarizing his childhood and early adulthood (1). It ripped me right out of the story. I can’t imagine a human doing that, besides which it doesn't actually tell me much about Ben Jemez. Is he happy that he learned all these things, or proud of them? Why doesn't he brag? And if he’s modest, why not introduce this information while Mercer is chatting up Jemez’s more impressive physical qualities as his wingman? Po and Anya Grace also divulge their painful histories in a page of densely packed information to relative strangers, which feels more like Webb is crossing off a column labeled 'backstory' than writing people. Therefore I was not interested in their triumphs or worried about their struggles, because they felt more like cardboard cutouts.

However I believe Webb is very capable of writing characters well and slowing revealing who they are through their actions. Mercer is described as a talented, cocky, space jock. Within the first two chapters he exhibits impressive flying skills, comes up with clever tactics, says some crazy stuff (2) and flies a spaceship towards nuclear warheads against direct orders, showing me he is all of those things. He’s also apparently catnip to the ladies, but since he sleeps with one person and she’s the one who picks up him, I’m going to assume that’s his overconfidence speaking again. Another good example is Lieutenant Alessandro Bernoulli, who has the best introduction line in the book (3). Admiral Trajan is my personal favorite, and I was actually cheering for him in the last battle. That man starts out scary and somehow manages to get more terrifying until you want to run away every time he shows up. Trajan notably has a section where he talks for a page or so about his own history but because he’s using it to hint to a subordinate he killed his own father at sixteen, shit. That is a well-written character. Even though I didn't like all of these characters, they had a well-enough written personality that I had an opinion about them.

Another thing I felt was lacking is an internally consistent setting for the story to take place in. There’s a lot of lip service paid to an empire and rebellion that spans at least one galaxy (4), but very few characters aren't from earth and those that are never reference a heritage or even differences in their lifestyle and cultures as a result of growing up somewhere not earth (5). In addition very few recent events are mentioned by anyone, including Trajan, which is especially surprising as he knows a great deal about earlier history (6). Did nothing happen between 2014 and 2675? The most frustrating part is probably the huge gender disparity present in “The Terran Gambit”. Po and Grace are scoffed at for their discomfort regarding women in the military or even noticing that there are very few women around, implying everything is is rosy in the world of gender equality (7), (8). However of the 46 named characters in “The Terran Gambit”, 7 are women (9). That’s either the definition of a boy’s club, or everyone is in serious denial about a huge re-population problem on the horizon. These discrepancies between what the story says is happening and what is shown create a world doesn't hang together.

The hit-or-miss characterization and the weak setting worked together to make this a rocky reading experience for me. I probably only finished it because I promised to review it, and I would not be interested in reading the sequel.


--------------------------------
I apologize if the pages numbers are off, I was working from several digital copies that had conflicting page numbers. I am assuming 235 pages for the sake of this review.

(1) And so he devoted himself: not just to his academic studies as his parents demanded, but to every skill imaginable. He spent the hours he should have been wasting as a free-spirited teenager at the gym, or learning parachuting, or bow-hunting in the wilderness with the local young rangers group, or target practice at the shooting range with his neighbor, a retired Marine general and expert marksman. He insisted that his ever accommodating, upper-class parents pay for an increasingly pricier range of classes, usually private instruction from one of North America’s premier masters of martial skills or craft. Kickboxing, karate in all its forms, wrestling … he did it all, developing a lean, muscular physique other teenage boys would have killed for, but as it was they ignored him—he seemed too self-assured, even cocky, for their tastes. (pg107)

(2) “He would not lose this fight, dammit.” (pg 1)

(3) A man with exactly one half of a mustache. (pg 96)

(4) Not to mention the ongoing conquests of the Corsicans. By last count, they had recently conquered their six hundred and twelfth planet out of the thousand or so settled worlds.
And over sixty years ago, Earth was the five hundredth—almost like an anniversary prize for the Corsican Emperor on his golden jubilee. (pg 5)

(5) “An Old Earth term, Captain.” (pg 133)

(6) “When Gioachino Rossini died, you know Rossini, right?” Titus nodded—how could he not know the composer of the William Tell Overture? “When he died, Verdi submitted a proposal to the greatest Italian composers of his day to collaborate on a Requiem Mass to honor him. The others agreed, and Verdi quickly busied himself with his contribution. But it soon became apparent that the effort was becoming mired in bureaucracy and politics, and rather than see his contribution languish, he wrote the entire mass himself. He then rededicated it to the also-recently-deceased poet Alessandro Manzoni. Now, Manzoni wrote many things, yes, but perhaps his most important work was the novel The Betrothed, which later became a symbol for the Italian Risorgimento—the political movement that sought to establish one unified Italian kingdom over the petty states that made up the peninsula at the time. When Manzoni died, the Kingdom of Italy had been made fact, and Verdi wanted to honor him, and by extension, Italy. Captain, am I boring you?” (pg 120)

(7) “Let’s just say I go to some interesting parties with the gal-jocks on our girls’-night-outs.”
Gal-jocks? Ben rolled his eyes at her anachronism—sometimes she seemed stuck in the twenty-fourth century. (pg 63)

(8)“Look, if you want to survive in a fighter squadron, if you want the boys to take you seriously, you’ve got to be not only better than them, you’ve got to own them. Overwhelm them. If I didn’t do this, none of them would take me seriously.”
Po turned and regarded her, wondering if she was serious. “You think that?”(pg 140)

(9)
I made a graph breaking down character gender. In times of great stress, I make graphs.

Saturday, April 6, 2013

Pop Review: Prey



Author: Michael Chrichton
Genre: Science Fiction
Pages: 258
Warnings: Character death
Rating: 3.5/5

Prey is a science fiction drama that answers the question “What would happen if a self-sufficient, violent AI went rouge?”


Crichton’s story answers while delivering a plot that keeps you busy in a bold, engaging style. I found it to be a fun read to finish in one or two sittings. In addition you can consider some of the cool implications of distributed computing and nanotechnology while you read.


However if you’re looking for a story that challenges your observational skills or tests your philosophical inclinations, back off. This book is basically just action. The characters are simplistic and the only thing I was worried about was who would survive (other than the narrator).


On the other hand, not all novels are about in-depth characterization, so if you liked other Crichton or Clancy books, pick this up and prepare to enjoy. If you’re going on a long airline flight this is also a good choice. Have fun!

Edited: Cross-posted at LibraryThing and Amazon.

Sunday, October 30, 2011

Review: Young Miles

Author: Lois Mcmaster Bujold
Genre: Science Fiction
Series: 1-3/22+
Warnings: Ableism
Rating: 4.5/5

There is something fantastically wonderful about this series. I'm revealing my preferences here, but these books have a feminist sensibility that is beyond refreshing. In addition they're all short with thrilling plot-lines! It makes it hard to put a Vorkosigan book down once you've started. Still, there is so much worthwhile going on in these books. They're fantastic! Check 'em out.

I should point out that "Young Miles" is actually an omnibus of Vorkosigan books, starting with the novel in which Miles is the youngest and continuing with two short stories in internal chronological order. In the case of this omnibus all three stories are also in real-world chronological order, but that isn't always the case. I think it's pretty cool that a few of the books that take place later in Miles' timeline were written before parts of "Young Miles" (publishing order can be found here). My general stance on anthologies from a single author is "No, thank you," because all the books are written by the same author around the same period of time, so they share similar themes and ideas. However this anthology (less so than "Miles in Love")  feels like it was written by several different authors.The staggered nature of each story in the publishing order does a good job of cutting out any feeling of monotony.

For this reason I'd prefer to offer a short review for each book:

The Warrior's Apprentice (1986)
This was the weakest book in "Young Miles" in terms of plot. Looking back, it felt like Bujold had a very specific set of things that she had already determined would happen in this book and had to fit them in. However, it took a while for me to reach that realization: the plot is rushed in the same way as a movie chase screen. While reading, I paused maybe once in the 200-some pages to wonder if everything was falling into place just a little too ridiculously perfect, but then I immediately dived back in.

In terms of characterization it was a fantastic hook, clearly showcasing the best aspects of Miles Naismith: how brilliant, charismatic and goddamn lucky he is. If you need a reason to read these books, Miles is it. He's one of the greatest main character's I've ever read. Sure, he's a walking cliche, but the Vorkosigan books in general and "The Warrior's Apprentice" in particular serve as a reminder why cliches exist: when done well, they're irresistible.

The Mountains of Mourning (1989)
This is a very touching short story, but I don't think murder mysteries are Bujold's (or Mile's) strong suits. I found the plot good, but not great. All the characters beyond Miles were only mildly interesting (aside from Ninny, obviously) and the conclusion of this story was far sadder than I was expecting.

I sometimes imagine the Barrayarans as slightly British in the sense that they cling pretty desperately to their monarchy, and they all have an attitude of stiff upper lip when it comes to personal tragedy. Many of the characters across the Vorkosigan universe never speak openly of exactly what's bothering them, and it lends a sense of authenticity to everything. Out here in the real world, few people will open up and spill their deepest secrets after you've known them for a few days, but the characters in "The Mountains of Mourning" did. I recognize the brevity of the story is partly at fault, but it still bothers me a little.

Something wonderfully positive I'd like to say about this book is ahead of it's time in representing ableism.

The Vor Game (1990)
This was my favorite book of the "Young Miles" omnibus! It has all the same rushed, thrilling plot as "The Warrior's Apprentice" but it didn't seem as outrageous. One of the strongest points about Bujold's writing is her ability to create a sense of suspense that lasts an entire novel. There was no point in this story where I didn't desperately want to know what was going to happen next.

Bujold is also good at creating a memorable cast. Tung, Bel and Gregor are all distinct, interesting (fictional) people who it's possible actually care about. Miles is the creme de la creme of poignant characters, as you might imagine. He reminds me a little of Ender from "Ender's Game" with his unflappable charm and brilliance. Unlike Ender he's around 19 at this point and significantly more interesting for it.

Freebies
"The Warrior's Apprentice" and "The Mountains of Mourning" located free online.

Similar Authors and Books
"The Dispossesed" and "The Left Hand of Darkness" by Usrula K. Le Guin
"Ender's Game" by Orson Scott Card

Thursday, May 5, 2011

Review: Heirs of Mars Preludes

Author: Joseph Robert Lewis
Genre: Science Fiction
Pages: 28
Warnings: Gynoids!
Rating: 3.5/5

In the interest of full disclosure, I received a copy of this book through the  LibraryThing Member Giveaway. Thanks!

So, this is a set of three short stories that all take place prior to "Heirs of Mars". Adorably, their names correspond roughly to the setting of each story, and create a nice triumvirate (Heaven, Earth, Hell). Be warned though, these stories are quite short, I blew through them in one sitting.

The first story, "To Reign in Heaven", is set in the space around Venus, where the infamous Mother has recently come into sentience and is sending her Cartesian children packing for Mars. The bulk of the story centers around India, a gynoid left behind inside the weather satellite that is Mother. India was my favorite character of the anthology actually; she's got immense strength of character and painfully human emotions to back it up. I don't want to reveal too much of the plot, but this story certainly suggested there could be an official sequel to "Heirs of Mars".

"To Walk the Earth" was another snapshot, this time of Victoria, the woman who refused to go to Mars with Asher. Victoria was a strong character as well, but strong to the point of being inflexible, a flaw I can appreciate if not enjoy reading about. The premise was classic sci-fi, about Victoria and Asher questioning humanity's current dependence on media for stimulation. The ending didn't sit too well with me because I thought it was a little over the top.

I enjoyed "To Serve in Hell" the most, because it showcased Lewis' ability to present two opposing viewpoints of the same event realistically. It is from the perspective of the farmers who beat up Asher in the beginning of "Heirs of Mars", who I originally had no sympathy for. Their ringleader's name is Neil, by the way. Experiencing Neil's point of view was painful and illuminating. My conclusion is that Neil is still a dick, but I can sympathize with what drove him to be that person.

There are two ways to evaluate "Heirs of Mars: Preludes": as a stand-alone anthology and as an expansion of the original novel. I enjoyed the set of short stories as an expansion because I wanted to hear more about the characters. Naturally anyone who liked "Heirs of Mars" will enjoy these stories as well. However I do think it's possible for someone to enjoy them without having read the novel. Lewis does make a point of developing India, Victoria and Neil enough that they can breathe without the life support of the original book, although I don't think they'd be as rewarding a read.

Comments and Questions Welcome~

Tuesday, March 22, 2011

Review: Heirs of Mars

Author: Joseph Robert Lewis
Genre: Science Fiction
Pages: 275
Warnings: References to terrorism, death, descriptions of really gross injuries
Rating: 4/5

I really have to read more Science Fiction! This book only proves that I'm overlooking a simply fantastic genre. This book is chock full of poignantly cruel ethical dilemmas as well as a rich cast with conflicting morals and goals. The setting was internally realistic, with an attention to detail on the science that the engineer in me loves. I am going to read so much more Joseph Lewis.

The story was a little difficult to follow at first blush, with three major storylines and three sets of characters with separate sets of ambitions and histories. The first group to appear are Asher, Priya and Martin. Asher and Priya are two humans with a shared tragedy, and Martin's the comic relief. In the next chapter we're introduced to Holm and his robot cohorts, who haven't yet been vilified in the story, and never really do with Holm there to narrate from their (his?) point of view. A little later Selene and Niobi are introduced, a pretty awesome pair of rangers, the bounty hunters/mercenaries of Mars. All three groups offer a different perspective on what's happening on the red planet.

Naturally the situation isn't simple either. There is a lot of tension on Mars since the development of "clones", mental copies of terminal human professionals. They're intended to replace stressed out colonizers so it's a feature rather than a bug that they can't learn anything new, or deviate from their donor's personality. As if that wasn't cool enough the story follows the narrative path to the defeat of the final robot rebellion, artificial personalities that are slightly tweaked copies of Mother, a satellite over Venus that became sentient. Either of these concepts could have been a story unto itself! Together the gimmicks lie a little thick on the ground, but that's the worst I can say about Lewis' book.

After finishing this book I spent some time thinking about what makes a being sentient. Technically the clones are alive, but they are incapable of changing at all from the moment they're created. One of the clones, Toshiro, suffers immensely because the last thoughts of his donor were terror of the robots but he can't hack his own brain enough to stop having nightmares. I consider my sentience is a result is my ability to adapt my personality, even my way of thinking. I can try to be anything, but the clones can't. Does that make them human? Jut how cruel is it to create something that can realize they're frozen in time? The robots from Venus make a much better case for a truly sentient being. They have diverging goals from Mother and they occasionally defect. Who counts as alive? I have no idea.

"The Heirs of Mars" roused these questions in me, but they didn't seek to answer them. Very few of the characters voiced their opinion, although many of the decisions characters made reflected their personal opinions. No one... preached about it though, so in the end I felt the question of which AI's were sentient was my personal problem. In fact, the climax of the novel took all of this "sentience" stuff as unnecessary. The primary question was more "who deserves to live on Mars", and that was answered easy enough: whoever can survive there.

The novel finished after the defeat of the last independent robot, but nothing is really resolved. It's likely that time (a few generations) will give Martians the maturity to deal with clones kindly. Asher is still suffering from the loss of his daughter, and he's still digging at the past. The hope is that everyone can deal with their issue and live happily ever after on the red planet, (what? this is very surprising to me) but at the end of "The Heirs of Mars" none of this has happened. I can't help it, but I prefer that sort of ending to some sort of "happily ever after" nonsense.

If you remove all of the science fiction window-dressing, this was well-written story about a lot of people during the worst week of their life. Sometimes they came through, sometimes they didn't. The human vs. robot storyline was significantly less fun than the clones vs. humans one, so I was pleased that more time was spent following it. I flew through this book, and it's because there were so many little moments when I felt Lewis did things just right. This book reminded me of my love of the genre, and this author impressed me on many fronts.