Sunday, January 8, 2012

Member Giveaway Review: Tempest

Author: Holly Hook
Genre: YA Fiction
Pages: 190
Warnings: Ahoy Plot Holes, Spoilers
Rating: 3/5
Series: 1/?

"Tempest" by Holly Hook is a YA fiction book, the first in the "Destroyers" series. It follows the main character, Janelle, after she moves to Florida and strange stuff begins happening. Janelle and basically everyone she knows or is related to is a Tempest, a strange sub-group of humans that become hurricanes once in their lives, and can do that really cool thing with their eyes that's shown on the book cover.

Before I say anything else, I want to make it clear that the premise of this book is freaking awesome. I cannot stress that enough. I don't pretend to understand that people who can turn into hurricanes any time they fall in salt water only do so once in their lives, because if I could turn into a hurricane, look out coastal cities! I did some research, and was a little annoyed to discover the named hurricanes that the WMO picks repeat every six years, but I stick like the concept that Tempests have a government mandated role call. If you've already read the book, feel free to follow the same wikipedia/google trail I did and be disappointed there is no Hurricane Adriana (although there have been several Adrians) or Hurricane Janelle in the real world. I am not against fiction books that borrow part of their information from reality, but I guess I was a little surprised by how easy it would have been to incorporate real hurricanes and give the book more of a "hidden world within a world" feel. Even though the ability to become some of the scariest, most powerful tropical storms is just fantastically cool, I would have preferred Hook had either completely veered off into a fantasy setting or maintained a more accurate representation of where the Tempests could have fit into our world.

I also really appreciated the characterization of Jenelle, Lucas and Greg in this book. I am crushed when I read books where the teenage characters sound and act more like some adults ridiculous caricature of teens, or characters that jump right from being pre-pubescent to being adults. Hook breathes life into Janelle, and into that awkward place where teenagers reside, which I loved. The developing relationship between Greg and Janelle was especially believable, not to mention cute. I am a suspicious person by nature, but their stolen  moments warm my heart. I got very caught up in those scenes, and the transparency of Janelle's reactions. In general I think Hook has strong talents when it comes to portraying teenagers, and teen interactions.

However I didn't feel the depth of characters extended to some of the the adults (ex: Adriana, Mr Deville). I can't tell if the lack of well developed personalities because they weren't main characters, their actions were more plot than personality driven or if it was a conscious effort to help illustrate Janelle's snap judgments. It would be really cool if they were a result of some method writing, but I'm not comfortable assuming that. Sometimes this bothered me, but certainly wasn't a deal-breaker.

I am a stickler for internal consistency in a story, so I take umbrage with a few of the plot points. I realize how silly this may seem to someone else, but it frustrates me that not all named tropical storms are Tempests. I don't understand why it was mentioned in the book. Additionally it makes little sense that there is a magical system that knows when when it's someone's turn to become a Tempest (and can halt all the other Tempest's ability to become hurricanes) down to the day but none of the actual Tempests seems to know even what month they should become a hurricane. It's also odd that there was very little about Tempest culture explained, but somehow Adriana knows how to brainwash the Tempest subconscious. I wouldn't normally bring up all of this, but the crux of the issue was that all of these plot devices could have been incorporated reasonably well, but at the time they all felt too convenient to me. Janelle would never kill people on purpose? Suddenly, Adriana can control her subconscious by playing only one tape while she's asleep for an hour (while back in reality brainwashing of an unwilling participant can take years under special conditions). That is just an example of the frustrating plot holes in this book. Said plot holes dragged me out of the book to complain, which is not an ideal reading experience.

It may look like I have a lot of complaints, but I really did like this book. I'm just kind of pushy. So while I have a few complaints about the deus ex machina style plot devices creeping into Hook's novel, they did not overshadow the excellent characterization and straight-up awesome premise. I was definitively entertained, even though I usually prefer to avoid YA. If you are a teen or just like reading teen fiction, I would strongly recommend this. Jump all over it!

Sunday, January 1, 2012

PLH's Top Ten Book Suggestions for 2012

So, one of my friends asked for some book recommendations... a few days ago. Here they are, in no particular order. Enjoy!

1. Reality Bites Back: The Troubling Truth about Guilty Pleasure TV

2. The Handmaid's Tale

3. Young Miles & Review

4. The Left Hand of Darkness

5. And Then There Were None & Review

6. Delusions of Gender: How Our Minds, Society and Neurosexism Create Difference & Review

7. The Girl with the Dragon Tattoo & Review

8. The Book of Lost Things

9. A Game of Thrones: A Song of Ice and Fire

10. Warbreaker

They're all pretty awesome, although it's kind of obvious now that I look at this list my preferences are skewed towards gender politics and I prefer fantasy over science fiction. Anywho.

... Now I'm all out of books! Does anyone else have some suggestions of their own?

Monday, December 26, 2011

Pop Review: The Birth of Venus

Author: Sarah Dunant
Genre: Historical Fiction
Warnings: Rape, Misogyny, Death, Asshole Priests
Pages: 416
Rating: 3/5

"The Birth of Venus" by Sarah Dunant is the coming of age story of Alessandra Cecchi, a young woman in 15th century Florence. Like many mainstream stories about young adults, this book is not for teenagers, or even written by teenagers. Do not ask me why, apparently everyone wants to keep reliving the same four hormone-ridden years in high school. Sadly for us Florentine isn't so hot on women having lives outside of gratefully raising children, so some parts of Alessandra's story are remarkably predictable: she doesn't know anything about sex expect for those tinglings in her britches until marriage, where regardless of her personal feelings or ambitions she settles down to have a kid. No matter how overdone I think coming of age stories are, this one has a few surprises up it's sleeve. For starters, her city is in turmoil and there is a rather scary priest rising to power during all of this.

For one, Durant's characterization was great. All of the characters were as fleshed out as their role required and their interactions were believable, especially the awkward teenage groping! I have my doubts that the idioms and slang are historically accurate, but luckily that's not what I was reading this book for. My absolute favorite character was Alessandra's husband. Since there is a theme of woman's lib running throughout this book, it would have been easy to make him a villain, nor was he some fumbling buffoon. Instead Durant creates a man who is poised, intelligent man who was also suffering under the pressures of Florentine society, with a very human set of blind spots. In my mind he remains the best example of Durant's ability to create complex and empathetic characters in this book.

I typically enjoy historical fiction but this particular period didn't come across as very interesting to me. I'm not sure if it's because I have about as much fascination for paintings as a cat does (which is to say, only if there's a bug on one) or if Durant presented the least appealing bits to me. I feel this way because the location and time period had very little affect on the story itself. Sure, sure she got married when she didn't want to. There are certainly no where else during that era and no other time period in history when women got married because it was expected instead of out of love. Her city fell at least partially under the sway of a radical man. The only obvious way in which this affected Alessandra's life was one or two scenes where she didn't go to church and where she got hassled for walking outside after dark. Hell, Florence getting invaded by an army had only one affect on the story that I could see: Alessandra's wedding date got moved up. This may have been a historical fiction, but the history functioned primarily as a background for the plot. This is not an inherently bad thing, but I do feel it's worth pointing out. It's also totally why I am not mentioning anything about painters.

My main complaint about the plot is that there was not nearly as much action as I was expecting. I respect a good story that doesn't have sweeping story arcs that encompass epic events, but only when I'm not promised them. Even the really dramatic twists were rather underplayed, and everything had a haze of normality to it. This could just be me, but I swear the prequel suggested the book contained a lot more sex (or at least sexual tension) which it failed to deliver on. I kept reading until the last chapter waiting for something more impressive than a few mildly vanilla sexual encounters and perhaps the least awesome explication for her tattoo. Seriously, I can not even imagine a less cool way for Alessandra to have gotten that tattoo.

There is a very reasonable argument to be made that stories full of real, not dramatic people trying to successfully navigate the challenges of their daily lives wouldn't come of as dramatic, to which I say: "Pah." I am reading a book about a teenager. I remember being a teenager, and let me tell you, every day was the Thor-damned end of the world. On the other hand, gentle reader, you may not feel the same. I suppose my final assessment would be: I've had better. If you really enjoy the romances of teenage girls (really?) or 15th century Florence, have I got a book for you. If you have a quiet afternoon or two and nothing to do, go for it. Otherwise find a different book. There are plenty other fish in the sea! 

Wednesday, November 30, 2011

Review: Guns, Germs and Steel

Author: Jared Diamond
Genre: Non-fiction
Warnings: Nothing really
Pages: 512
Rating: 3.5/5

Wow, there is so much that is worthwhile in this book! Holy crap, there is just a LOT of information in this book! It covers several observed general trends in the development of human civilization across the majority of genetically modern human history. And when I say the majority, I mean before roughly the 1800's back to the first time humanity became genetically similar to us. It's inclusive, extensive and just detailed in every respect. Diamond's goal is to treat history more like a hard science by framing architectural evidence as uncontrolled experiments that can be used in conjuncture to identify independent variables, which is an admirable goal and resulted in a sweet book as far as I can tell.

More than just marking the trends of civilization from less to more complex hierarchies, this weighty-ass tome attempts to explain some of the many interrelated reasons why civilizations develop at different rates. Diamond identifies technology that resulted in one state dominating another multiple times in the archaeological record, and then creates a plausible chain of reasoning that connects them to the attributes of each state's locality. An example would be illustrating that the vast differences in sophistication between the tools in Europe and the Americas during the 1400's are a result in the disparities of domestic-able plants and animals on the two continents. I can not tell you how much I appreciate this attention to detail, and how valuable the documentation of Diamond's thought process is to me. I also think this book represents an important shift in what history means and I felt my world was enlarged by reading it.

One important warning to any potential readers: this book is really boring. The prose reads a lot like a textbook, and it makes this book difficult to get through. It's size and it's dryness it is a real deterrent to anyone outside of academia. However I cannot state strongly enough that if you're interested in the subject matter, you should check it out anyway. Just... remember to pick it back up after you've put it down.

Associated Website
http://www.pbs.org/gunsgermssteel/

Similar Books and Authors
"The Black Swan" by Nassim Nicholas Taleb
"A Short History of Nearly Everything" by Bill Bryson

Tuesday, November 29, 2011

Review: And Then There Were None

Author: Agatha Christie
Genre: Mystery
Warnings: Brits, Murder (obviously)
Pages: 247
Rating: 4/5

This is a really great mystery novel. It's quick, fascinating and fun. I've never read any Agatha Christie novels before now, but her other works are on my to-do list now.

I liked that the characters reminded me a little of the secondary characters in Doyles "Sherlock Holmes" stories, possibly because Christie was also an upper-crust Brit, although from two generations later. However the break from a sleuth main character was excellent, because the first person perspective lent a sense of urgency to the wholw thing. I enjoyed the shifts in perspective, which happened often enough and were well-placed enough to keep the identify of the murderer a secret from me.

Like I said, this book was quick. I  finished it in one sitting, which is terrible for the sort of literary analysis more involved than "So who is killing everybody?" On the other hand, this novel didn't have to be ripe with flowery language to be interesting. This is common for mystery novels, but agonizing over the villain (or villains) is usually the only draw a good mystery novel uses, and the only one it needs. I found that to be the case here. As Christie herself pointed out, there's something truly impressive in a killer that manages to kill ten people in a way that keeps a casual reader interested.


Similar Books and Authors
"The Complete Sherlock Holmes" by Sir Arthur Conan Doyle